Source. Art since 1900: modernism, antimodernism, postmodernism, London: Thames & Hudson, 2004 (9780500285343) It dawned on me that these two different fini (ends) of God find perfect synthesis in Maurizio Cattelan’s HIM.—Francesco Bonami. Installation view with Maurizio Cattelan, HIM (2001; front), and Lucio Fontana, Concetto spaziale, La fine di Dio (1963; on wall), Artwork, front to back: © Maurizio Cattelan, © Fondazione Lucio Fontana. With his Pietre (stones) series, begun in 1952, Fontana fused the sculptural with painting by encrusting the surfaces of his canvases with heavy impasto and colored glass. L'anno successivo appoggia il … II, p. 137, no. CONCETTO SPAZIALE, LA FINE DI DIO, FullFormat:,year,1963 oil on canvas . Photo: Mike Bruce, Installation view with Lucio Fontana, Concetto spaziale, La fine di Dio (1963; left), and Maurizio Cattelan, HIM (2001; left), Artwork, left to right: © Fondazione Lucio Fontana, © Maurizio Cattelan. CONCETTO SPAZIALE, LA FINE DI DIO. 63 FD 22, illustrated, signed; titled on the stretcher; signed on the reverse. DESCRIZIONE: I "Concetti Spaziali" di Lucio Fontana ridanno fiato all’antico amore per l’astrazione algida e assoluta degli anni Trenta, quando esponeva alla galleria del Milione di Milano con Melotti, Licini, Rho, Radice, Magnelli. With a single, deft juxtaposition, the history of iconoclasm takes an exponential leap. Both Hitler and Fontana envisioned the end of God but from completely opposite positions. Concetto Spaziale, La Fine Di Dio Sell Through Rate: 100% All auction results by Lucio Fontana all artworks for sale by Lucio Fontana Artist: Lucio Fontana. Estimate . DESCRIZIONE: I "Concetti Spaziali" di Lucio Fontana ridanno fiato all’antico amore per l’astrazione algida e assoluta degli anni Trenta, quando esponeva alla galleria del Milione di Milano con Melotti, Licini, Rho, Radice, Magnelli. Lucio Fontana (1899-1968) , Concetto spaziale, La fine di Dio. press@gagosian.com, La fine di Dio: Maurizio Cattelan | Lucio Fontana. The present piece, in a yellow evocative of the sun of a new day, beautifully encapsulates Fontana’s belief in a brave new world, accessible through … Collezione privata. He then created an elaborate neon ceiling called "Luce spaziale" in 1951 for the Triennale in Milan. 701/8 x 48½in. Fondazione Lucio Fontana. Concetto spaziale, La fine di Dio (63-FD.17), 1963, huile sur toile, 178 × 123 cm, MNAM, Paris; Concetto spaziale, Teatrino (65-TE.76), 1965, peinture vinylique sur toile et bois laqué, 200 × 200 cm, MNAM, Paris; Concetto spaziale, Teatrino, 1965, acrylique sur toile et bois laqué, 127 × 166 cm, Musée d'art de Toulon. Provenance. The Darkness. La fine di Dio, 1964. I, p. 80, no. Hitler created the most diabolical horror witnessed by humankind in modern times; Fontana worshipped and found inspiration in the marvels of the universe, that infinite space where even God could disappear. Nel 1922 si sposta in Argentina dove apre uno studio di scultura. From Rachofsky Private Collection , Lucio Fontana, Concetto spaziale, la fine di Dio (1964), Oil on canvas ... Fontana implemented this theory in his series Concetto Spaziale (‘spatial concept’), punching holes in the picture plane and slicing through his canvases in order to expose the dimensional space beneath. Provenance and Exhibition History . “Concetto Spaziale, La Fine di Dio” Lucio Fontana | Italian Art auction La Fine di Dio, (1963-1964), est une série d'œuvres crées sur des toiles ovales de taille identique constellées de trous au pinçon et d'entailles qui sont traversant ou pas. Lucio Fontana, Concetto spaziale. Dipinti. 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